As a result of dedicated game
conservation measures and volunteers, wild turkeys began to make a
comeback by the late 1960s. Several states were enjoying a spring turkey
season for the first time in two generations. Turkey hunting, as we know
it today was enjoying a newfound resurgence. Calling contests were also
becoming poplar and the majority of competition callers were utilizing
mouth diaphragm calls.
I had the good fortune of ordering my first Neil Cost
turkey call at the cost of a mere $15. In 1979, while a second lieutenant
in the U.S. Army stationed at Fort Benning, Georgia, I had the opportunity
to attend the NWTF Grand Nationals in nearby Birmingham, Alabama. It was
there that I finally had the opportunity to meet Neil Cost in person. Box
calls were simply not utilized among the competition callers who
considered them too passé. Billy O'Daniel from South Carolina was crowned
Grand National Champion in 1979; he was also a personal favorite of Neil's
who also hailed from South Carolina.
What evolved for me from that initial encounter with Neil
was a close relationship and friendship that lasted until his death in May
of 2002. Along the way, Neil introduced me to countless people,
establishing many enduring relationships and friends.
Much has been written about Neil and his call making
skills, his innovative ideas, talents as a master craftsman and role as an
unquestioned pioneer in the custom turkey call making industry. However,
Neil never was one for resting on past accomplishments; he remained driven
throughout his life for excellence in his work and in the sound of his
calls. His passion for a better sounding and working turkey call would
result in the development of various types of calls.
Neil through experimentation, trial and error would try
almost anything once. This resulted in many prototype calls, which Neil
made and would often give as gifts to friends. Some of these prototype
calls were signed while others were not. Neil was also not satisfied to
make only box calls; he experimented with slates, strikers and an
occasional wingbone or trumpet style yelper. He also was willing to share
ideas or opinions with others. Some of his more recognized works in this
category are his Hen Tricks, scratch boxes and goose bone strikers.